You are browsing the archive for 2010 July.

The Lake House Collapses

July 29, 2010 in Blogs

The temporal anomalies series at The Examiner reaches the final formal installment of the analysis of The Lake House, with The Lake House part 18:  this changes everything.  Kate prevents Alex from dying at Daley Plaza, but that leaves so many unanswered questions about what happens in the months that follow since Alex now is not dead and Kate never starts the magic.

I was feeling run down yesterday, and am still a bit under the weather today, but am hoping to pull myself together sufficiently to get some things done, including a few more articles, if time permits.

–M. J. Young

Seeing the Problem

July 26, 2010 in Blogs

As the temporal anomalies series at The Examiner continues, Kate finds herself in the office of a certain architect named Wilder, whom she has met before, whom she somehow has failed to connect to two other architects who shared the same surname.  That’s what’s really odd about The Lake House part 17:  Visionary coincidence, today’s entry.

I’m tired and keep getting sidetracked today; here’s hoping things will pull together before I run out of time.

–M. J. Young

Writing The Other Book

July 22, 2010 in Blogs

As I was preparing to post today’s Examiner temporal anomalies article, it occurred to me that there ought to be a link in it to wherever I mentioned Kate having sent a book back to Alex–and discovered that somehow in the confusion of the serialized articles I had failed to mention this.  Thus I rather quickly (being thankful that today is Thursday) pulled together an article covering exactly that, and after an abbreviated proofreading I uploaded The Lake House part 16:  the other book to the server, updating other pages accordingly.

That means the series will have an even-number of entries and end next week, but that the answer to the question will hit the following week and I’ll have to find something for the Thursday after that, and begin The Time Traveler’s Wife the following week.  That gives me a bit more time to finish that series, but also means I’ve got to find and perhaps finish another between-subjects article.  I know there is one somewhere; I just hope it’s not going to take me more effort to finish it than I can spare.

–M. J. Young

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by Tadeusz

Cereal Novel: You Elsewhen: Bowl Ten

July 21, 2010 in Blogs

Food. The one word kept being repeated over and over. Food. Gentle hands surrounded you, up-tight and in your personal space so that you just wanted to scream ‘get back’, but the smiles were so determinedly friendly that you could not. Besides, you remembered how freaked out the waitress at Johnny’s Omie had been when you showed her your ‘angry eyes’. No way did you want to do the same to these kindly intentioned folks.

Down a hallway, and up a staircase escalater, narrow for just one person but still surprising. The top opens into a low-walled entry cube with a door three feet high that swings open from your side and closes on the other side with a snap.

Stepping out into a large open space, you see dozens of infants and toddlers who are waking up, mostly with soft cries. Daddies rush to their infants, and lift them to their shoulders with the vast majority of the tykes taking this in stride with smug looks of ‘yeah, I’m the king of the world’ as they sat on Daddy’s shoulder. A few were already giggling as Daddy played games with them that usually involved being tossed skyward.

Seeing one youngun’ float five feet into the air and drop made your heart feel as if it would stop. And then the huge man caught his infant girl with hands like catcher’s mitts, and the girl burst out giggling.

Staring goggle-eyed, you are herded to the side where a line is being formed. Beyond the line are tables with square white boxes on them. Lids are removed and fragrant, warm smells of food steady your heart, and get your stomach grumbling even if the smells seem odd.

Meanwhile, you’re surrounded by motherly sorts. The young girls are against the wall, wallflowers you might say, and the boys are lining up to talk to them. Each boy spending anywhere from a minute to half a minute talking to a girl before the pressure of the line and an occasional catcall forces him to move on.

The men were, there was no other word for it, promenading around the room with their kids on their shoulders. One fellow, his face red, had four kids attached to him. One baby on his shoulder, one toddler on his right, an older girl hanging on his back with her arms about his neck, and another toddler gleefully hanging on to his right leg and using his broad shoe as a seat.

The older men and women stood in the midst of the room and provided part of the watchers along with the women in line who although you cannot understand a single word, the look, the feel, the fabric of the way they move and smile lets you know they are talking to other women about their husbands.

Some things are evidently universal across worlds. If that is what happened to you.

Pork and grape salad is your first choice if the widely grinning ladies ‘soot-eek, soot-eek’ means pig noise. The next is more unequivocal as ‘moor, moor’, but finding the minced and pulverised moo meat amongst the green peppers, green beans, sweet peas, and shalots hurts your eyes. It hurts your tongue too when you realize the green peppers are actually a larger version of jalopeno.

Rice pudding pie with pretzel crust, and chicken minced and pulverized (these people seemed to like to destroy their meat’s texture) with a strong, white cheese powerful enough to ignite your nose hairs mixed together to form a dip for corn chips completed your meal. On the rule that less strange things could be done to a clear soda, you took the ‘Refresher’.

It was very strong ginger ale. Perhaps that is good you decide as you tentatively eat. Ginger is supposed to be settling to the stomach.

Others join you, and begin to help you with the language. And they give you for them a lot of personal space. Which means you only feel quite uncomfortable and not in the lap of those next to you like everyone else around you. With a dozen people squished on to a table that would have held five back home, wherever that is, you wonder why they gave themselves more space while singing.

With signs, you’re able to get your question out. The reply comes the same way with laughs as the signer bangs into the folk on his right, left, and far left. One needs space to breathe to really belt it out when you sing. Food, well, you’re just sitting there. You get the feeling the locals might be more physically vigorous than you are used too.

The assault on your taste buds end, and despite your cleared nose, you feel better, stronger, more fortified.

An older lady and a couple young girls, you think the ones you sat by, take you back down the now reversed escalator, to the great auditorium which now echoed emptily where before the seats had buzzed with the noise, and down into the basement.

The older woman who presses your hand to her heart and says repeatedly ‘Cheyla’ until you say ‘cheyla’ back then releases you. She sends off the young ladies who you rather wish would do the same for you, and pulls open a drawer in the base of the clotheswasher. You had not thought to look for it there.

Inside are squished, air removed clear plastic containers. Opening one, she pulls out a kilt and a shirt, and a pair of socks with some sturdy underpants which are lined with silk. She blushes a little at the last, and so do you.

Cheyla leaves you with a hand wave at the washer and one toward the bathroom. Obviously they would prefer you were cleaner.

Bell, Book, and Double-ended Candle

July 19, 2010 in Blogs

A car abruptly and unanticipatedly was disabled over the weekend, with the result that someone needed transportation to and from an overnight job.  I got the from end of the deal, an errand that had the alarm ringing by five this morning (that’s eleven at night on the nine-five equivalent) (that’s the bell), but I also was serving supper around two to the person who got the to end, so my sleep was short (that’s the double-ended candle).  I also had a regularly scheduled errand at ten, and since being three quarters of an hour away from home at six had me home around seven and expecting to be rousted afresh around nine, I just got an early start instead.  I cleared a fair amount of work out of the way before collapsing for a couple more hours before noon.

One thing I did early was upload the latest Examiner temporal anomalies article, continuing the series with The Lake House part 15:  Persuaded by a Book (and there’s the book).  Alex returns Kate’s copy of the book Persuasion by putting it under a loose floorboard in the bedroom of the apartment in which she is going to live in the future–but if the floorboard was loose all that time how did she not know it, and if it wasn’t loose how did it get that way?  The problem of the floorboard is considered.

I’ve got other irons in the fire, but if I manage to keep my computer stable in the heat I might be able to move ahead on some of the pressing projects, which would take some of the worry out of me.

So, let’s press.

–M. J. Young

Location

July 15, 2010 in Blogs

I am here.

As Max Smart once said to Agent 99, I’m not saying that the rest of the world isn’t lost.

Here’s hoping that the latest Examiner temporal anomalies article, The Lake House part 14:  real estate, drums up a bit of interest; I could use the extra pennies.

Otherwise, not much has changed since Monday.

I frequently remember a bit by a comedian who had a list of things we don’t need.  Some of those things we don’t have anymore, but they’re still funny.  What I recall of the list went something like this:

  1. We don’t need a list of things we don’t need.  Enough said about that.
  2. We don’t need soda that’s ten percent fruit juice.  If we want fruit juice, we can buy fruit juice.
  3. We don’t need the news at four, five, six, seven, and eleven.  It’s the same news.  Ever notice that?  “What have you got coming up at six, Bill?”  “Pretty much the same stuff you had at five, Bob; it’s only been an hour.”
  4. We don’t need the view of the game from the blimp.  If we wanted to see the game from that far away, we would have gone to the game.

Anyway, I remember it from time to time, particularly when I encounter something we don’t need.  In this case, it hardly seems necessary for me to tell you on Thursday that I’m working on all the same projects I mentioned on Monday.  But I am, and I’m making progress.  When it’s visible, I’ll show it to you.

–M. J. Young

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by Tadeusz

Cereal Novel: You Elsewhen: Ninth Bowl

July 14, 2010 in Blogs

In the square room, surrounded by hundreds of non-singing songsters, you face the soft-voiced old man who speaks English to you by way of miracle he claims. Its enough to have your mouth open, stop, close, open, and stop again.

Another man begins speaking, and you sense an authority about him. Everyone turns to listen to this fellow with the rusty beard on the far side of the auditorium. With the room’s excellent acoustics, you can hear the words very clear, but again the language means nought to you.

But the soft-voiced man who comes into the open space with you and the big-bellied song leader, perhaps that is the significance of his bright, blue belt?…this ‘friend’ serves as a translator.

Ute mas sheik…

“Let me speak the words I hear. The word of the Lord to you.”

The hair on the back of your neck rises, and suddenly you realize this man is claiming to be a direct conduit for God to you. Is that even possible? Is it not better for God to speak to each man in his heart?

“I do as I will, Walker, Verser, Man of Two Lives. If in one life I spoke in a still, small voice, and in another I command, what is that to you?”

In other words, who are you little punk to tell me how to run my shop?

Of course, this all could be a fake. A guy with a lot of charisma, and some very moving and exceptionally loud music to put you in the mood might do something you think. You brace yourself for some high-flown rhetoric that amounted to ‘give the church all your cash’.

The man with the beard laughed. And your translater raised an eyebrow.

“You are hard, but I am harder still. Listen to the song of the words, and hear them as if spoken by Scotty imitation McCoy.” The translater blinked and everyone stared at the rusty bearded man who threw up his hands in bafflement, and smiled and sat down. A rustle ran through the crowd.

This was not what you expected. It was almost as if your conversationalist were responding to what you were thinking you decide as the crowd rests their eyes on you with the patient look you sneer, of cows. That was ridiculous, but well, they did have psionic receiving devices. Perhaps you could program one to do a language…

Aargh. You slap the side of your head. Although an interesting idea, that was not what the clue meant.

Speak as Scotty imitating McCoy. Obviously a Star Trek reference. Experimentally, you hum a few bits of the Star Trek theme song which should be recognizable to nearly everyone in your home world. No response except for nods that seemed to say it was a pleasant music line, but what praise song should they sing to the tune of it?

Song of the words? You gesture to the man next to you to speak, and don’t listen to the words as such, but to the music of them.

And then you hear it.

A Scottish brogue with a deep Southern drawl laid right over the top of it in a hideous amalgram of accents with something else down below.

You remember a friend of yours moving South, and how he had come back changed. He had talked of no more snow, and laughed when his old friends hhad asked him about the whitesheeted Klan, and described his house which was twice as large as the one he had rented up North, but with half the price. His only complaint had been the drawl.

“It took me a good solid month before I could understand the waitresses.”

“So you starved for a month?” A girl had asked him.

He grinned back and mimed pointing at a menu.

“Its why Southerners sneer at Yankees.” He explained with a grin. “Completely rational. Its a hatred of mimes which is a feature of all civilized cultures.”

You smiled in distant memory of his jokes, and listened more. With a feelling of relief, you thought you understood at least one word in thirty now.

You gave everyone a thumbs up and an exzaggerated smile which had them uncertainly attempting to copy your ‘thumbs up’ as if it were a new symbol.

Still a long way to go on the language barrier you decide, but then they sweep up to you and begin hugging you.

Will He Make It?

July 12, 2010 in Blogs

Today’s Examiner temporal anomalies installment, The Lake House part 13:  no call no show, raises issues surrounding the fact that Alex does not meet Kate as planned at the restaurant because he already died at Daley Plaza, but if he doesn’t die at Daley Plaza there is no reason for him not to be at dinner.

Well, it is a confusing movie.  The Time Traveler’s Wife is confusing in a different way, and the good news is that I’ve gotten through more than half a dozen first drafts on that.  The bad news is, I’m not yet to a point that I know how many articles it will take to do the entire series, and from today I have three weeks before the first must post.

But I’m working that direction.

–M. J. Young

Avatar of Tadeusz

by Tadeusz

Cereal Novel: You Elsewhen: Bowl Eight

July 8, 2010 in Blogs

The broad-bellied man with the bright blue leather belt, unlike any man you have seen here, and the red tartan kilt like the rest of the men in the huge square room, except for you, reaches out, clasps you to his chest and kisses the top of your head.

He steps back and waits. The thought occurs to you that he is expecting you to kiss his head as well, but that is just too much. So you reach out with one hand, and he stares at you as do the three hundred or so other kilted men, bewigged women, and jeweled children on the four bench areas which focus their frontages on the center square you are uncomfortably inhabiting right now. Your smile gets very fixed, and you nod jerkily at his right hand. He puts it out toward you with a puzzled look.

You shake it, and let his hand go. And then you nod. He looks a bit puzzled, and then claps you on the shoulder and says something to the crowd, turning to face all sides as he said his line.

Laughter echoes from all sides and reverberates off the walls and the lacquered benches so that the air hums. You think it sounds friendly.

He turns back to you, and your stomach flutters. Its like your worst dream of not being able to remember a speech. He says something, and you smile at him. Looking curious, he asks you some question. And then he nods, and speaks to the crowd.

People nod, and several men step up, and gently lead you to sit down between the two young ladies.

Unhappily, this only reminds you that you have not had regular baths, and now you’re sitting between two atractive and well-made up young females. Its another nightmare.

The big bellied man smiles, says something that brings another laugh, and then raises a hand and calls something out.

Suddenly everyone stands.

Then they open their mouths, and you’ve heard less volume of sound underneath the speakers at your fave rock concert. The melody booms out of three hundred voices at full chorus, hits the walls and bounces, hits the floors and richochets, and hits the benches and vibrates the air so that you can feel the air in your lungs shiver. You feel as if you’re being lifted off the ground so great is the power in the song.

And not a word you understand, but it is some sort of joy. You see smiles, and sheer animal spirits flickering on faces before they redouble their efforts and really put their hearts into it.

Some sort of repeat line comes around again, and something sounds familiar, but the volume builds and you find you cannot think. A smile splits your face. The sheer joy of massive waves of music is, you find like surfing, or what you imagine skydiving might be like. Its an intense physicality which bonds you into a union of joy, and so it is with no self-consciousness that you find yourself clasping the hands of the girls on either side of you as does everyone else.

The song is done, and you sit with the rest, panting a bit, and you had not even sang. And then another song comes, and you try to hit the repeat lines with a harmonious…

“Na-na-na-na.” It brings an encouraging smile and a hand squeeze from the brunnette to your right. And then she bends her neck which causes her long hair to slither seductively on her neck, and with a secret flicker of a smile gives herself more fully to the song. You follow her example, and lose yourself in song that makes rock and roll seem tame and soft with its exultant chords.

An hour later, the songs end, and the big-bellied man gets up and speaks for a few minutes. None of it you understand except you perk up for one word that sounds like it could have made sense. “Made.” or “maid” seems to be the word.

And then he holds out his hands to the crowd, and begins to speak in a different manner. Everyone holds themselves quiet.

And then he looks straight at the crowd, and spinning about, makes some sort of welcome. You find yourself standing as you are pushed forward to stand by him. Looking about, you see no one else joining you.

Nervous, you feel your stomach flip again. But people do not seem to be looking at you. Instead, various men are standing up.

Some speak. And others listen, sometimes agreeing quickly, sometimes with thoughtful expressions on their faces. One woman stands up and walks up to a man, and kisses him on the head.

The crowd stands up and cheers. The two part, and you do not think that was about marriage, but perhaps you just saw a marriage proposal?

And then one man stood and spoke softly. It seemed familiar. If your ears were not pulverized, and the man were speaking louder perhaps…

The big bellied man next to you looks about, calling for another to stand up, and no one seems to do so. The man speaks softly again.

“I speak to the new one.” You hear and then some more drifts off slowly. You jerk your head up startled.

The big bellied man next to you speaks in rebuke to the soft voiced man in the back.

“I have a message for the new visitor, but I must stop speaking now.” The soft voiced man says and makes to sit down.

You burst out in English.

“Wait. Wait! Please.”

The soft voiced man looks up surprise lighting his face, and everyone pauses. The big bellied man who is in charge of the meeting motions for the other man to continue. Everyone looks expectantly with a joy in their faces.

“You know my words?”

“Yes, of course, you speak English.” You say.

“I am not familiar with this English.” The soft voiced man says as he walks up the aisle toward you. He looks elderly, and trim, with neat clothing, but obviously no great strength. So despite the excellent acoustics in the room, he starts to sound more audible as he gets halfway up the room to you.

“How do you speak then if you do not know it?”

The man laughs and smiles.

“As at Pentecost, the Spirit gave utterance.” He says with a simple joy shining through his words and carriage.

You stare. He is claiming that this is a miracle. You have heard of speaking in tongues. Is this what they meant?

Continual Change

July 8, 2010 in Blogs

I am not certain whether it is cooler in the office today (the desktop thermometer–on the real, wooden, desktop, not the computer version–says 82 right now) because we now have two window air conditioning units working full time at opposite ends of the level and several fans driving the warm and cool air into various parts of the main floor, or because I got up early today and the heat has not yet overcome the house, or because despite my expectations today is not as hot as yesterday.  Yesterday I fought with the computer most of the day, and accomplished much less than I would have hoped because of repeated crashes and long periods of time spent elsewhere waiting for the system to cool.  Hopefully today will be somewhat more productive, although there are tasks on the list that must be addressed at some point, and the fact that I popped out of bed early has left me a bit tired despite the coffee.

I’m going to rant about the heat a bit more–not about the heat, exactly, but about people who don’t grasp concepts of physics related to managing it.  First, though, I’m going to mention the new temporal anomalies article at The Examiner, The Lake House part 12:  happy birthdays.  This piece looks at one event–the 2004 birthday party where Alex first meets Kate–and attempts in brief to outline the shifts it undergoes as Alex receives more information from Kate in newly-received letters.

Now for that promised rant.

Fans have motors.  When you run the fan, the motor gets hot.  The air driven through the fan serves to cool the motor; that is, the motor heats the air that it moves.  The net effect of running a fan is that air gets hotter.

People feel cooler when the fan is blowing, because the moving air is slightly cooler than their own skin, and so they, too, heat the air with their body heat; it also is the case that the warm air evaporates the perspiration on their skin, and that evaporation makes them feel cooler–again at the expense of making the room more humid in addition to being hotter.

The effective way to use a fan is to use it to move air from a cooler area to a warmer area, that is, to bring in the cool air from outside if the house is hotter than the outside air.  People can be deceived about this, though–it often feels cooler outside because of a slight breeze, particularly if you are near water (which cools air slightly in the early hours of the day and warms it slightly in the early hours of the night, resulting in convection currents) or pavement (which heats air in the sunlight causing it to rise, creating a vacuum filled by cooler air around it–again, convection currents). A thermometer is a better way to determine this than the feeling on the skin.  However, if you blow the cool air into the house, you have two inefficiencies at work. The more obvious one is that the fan is warming the air as it draws it from outside.  The less obvious one is that the pressure created by the impeller is rapidly dispersed through nearer windows, and your fan does not do much beyond the window of the room in which it is placed.  The more effective approach is to expel air from the hottest part of the house.  This not only removes the heat from the warmest location, it draws cooler air into that room from the cooler parts of the house, which in turn draw air through their open windows from the cooler outside.

This is why attic fans work so well:  they remove heat from the hot attic and draw it out of the lower floors, pulling cool air into the lower part of the house.  You accomplish the same effect on a smaller scale by using window fans to expel air from hot rooms.

There is a use for other fans within a house, but the effective use of such fans involves moving cool air into warmer areas, which in an enclosed environment means that the warm air will move to the cooler locations.  This is particularly useful if you have an air conditioner running in the cooler location and want that cooler air to reach the warmer rooms.  This happens naturally anyway, and that’s important to understand–simply putting a fan to blow air somewhere is not an effective way to accomplish the objective.  Cold air is heavier than warm air, and so it sinks; as it sinks, it pushes lighter warmer air up, and the warmer air spills over the top of the colder air, traveling in the opposite direction to fill the upper spaces of the area which the cold air is evacuating–that is, the cold air in the living room generated by the air conditioner falls to the floor and presses up the hall, creating a vacuum in the upper area of the living room and a pressure area in the hall, such that the now pressurized warm air in the hall rushes to fill the vacuum in the living room.  Again, that is convection.  You need to work with convection, not against it.

If you place a fan near the floor, you want it to blow the cool air into the warm area–exactly what the cool air wants to do already, but you are enhancing its motion.  People frequently do get this right, because they are usually thinking that they want that cool air over there to blow on them over hear, although sometimes they get it wrong because they’re sitting in the cool area using the fan to blow the cool air back at themselves against the natural flow (and, of course, heating it in the process) instead of getting the cool air to spread to warmer areas.

The problem, though, arises with fans that are elevated–fans on stands, fans on tables, fans that are not at floor level.  This problem is the more serious because rarely are these fans at ceiling level.  If you have a fan that is at the height of the top of the door, it makes sense for it to blow from the warmer room to the cooler room.  That’s the way the air is moving there anyway, and by placing the fan there you force the warm air out of the warm room which creates the vacuum on that side and draws the cool air into that room along the floor, where the cool air travels.  What I frequently see, though, is a fan about four feet high positioned to blow air from the cool room to the warm room.  This is very inefficient.  Given that the door is less than seven feet high, this puts the center of the fan above the midpoint.  The air is trying to flow through the door, cool air through the bottom three and a half feet and warm air through the top three and a half feet.  The effect of this fan is to impede the flow of warm air out of the warm room by blowing it back against the natural flow, and thus to maintain the pressure of the warm air against the influx of the cool air, keeping the warm room warmer than it would be if you removed the fan entirely.  A fan higher than the midpoint of the doorway should blow the air from the hot side to the cool side, so that the cool air can rush beneath it into the warm space.

This is all simple eighth grade physics, isn’t it?  Why don’t people get this?  I constantly find fans turned to point the wrong direction, moving air in ways that are going to make the house hotter and prevent the cool air from spreading properly through it.

Let me tag on one more fragment about oscillating fans.  I’ll admit that I don’t like them, because despite the cooling effects of breeze I prefer to avoid it–it chills sometimes, and it blows allergens at me.  Apart from that, though, there is a clear illogic to the use of such fans.&nbsp.  This morning I found one in a doorway oscillating such that it was blowing air first from the hot room to the cool, then from the cool room to the hot.  One of those directions is efficient; the other thus is obviously counter-productive.  That’s true in almost every case with oscillating fans: there is one direction that is optimal for the transfer of cool air into a warm space or warm air into a cool space.  Any other direction would be less optimal, by definition.

It might be argued that a fan placed near the floor in the doorway between a cool room and an occupied warmer room will provide greater comfort for the occupants if it oscillates.  It might; it will, however, be less efficient at cooling the warmer room.  If the fan is pointing in a constant direction, it will create a current which gains momentum, driving the cool air into one area of the room from which it spreads, pushing the warm air out in a constant current.  If the fan oscillates, though, its movement disrupts the current constantly, preventing momentum from being established, and reducing the efficacy of the heat exchange between the rooms.

So now you know how to use fans for maximum efficiency in cooling your spaces.  Perhaps someone will be able to benefit from this, despite the fact that I probably have to go out even now and find out whether someone has yet again moved my fans.

–M. J. Young